Can not tell difference between these samples, flac vs high compression ogg |
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Can not tell difference between these samples, flac vs high compression ogg |
Apr 11 2011, 18:00
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#26
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![]() Group: Members Posts: 3212 Joined: 29-October 08 From: USA, 48236 Member No.: 61311 |
It is technically more difficult to do an ABX with an analog reference but it can ans has been done. We did our first ABX test in 1977 but digital media was not widely available until 1983, so for 5-6 years all ABXing was done entirely in the analog domain. QUOTE The results indicate that some digital equipment is not up to par and a lot of analog equipment introduces distortion but Nyquist and Shannon were right - digital representations have quantization and bandwidth limitations but are otherwise true to the original. On balance coming up with digital gear that *is* up to par is pretty easy these days. Just about every commercial recording made in the last 20 years spent at least part of its life in the digital domain. There is no doubt that circumventing this caused potentially audible sound quality loss. |
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Apr 12 2011, 15:07
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#27
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Group: Members Posts: 7 Joined: 7-February 11 Member No.: 87998 |
Your -q 10 Vorbis sample is fine. I decoded it with foobar and created a time aligned reference sample from my lossless "Dream Theater - In the Presence of Enemies Part 2" rip. I couldn't hear a difference in a quick ABX test. In my opinion the sample is not very demanding. I guess -q 4 or even a lower setting would be fine for this part of the song. Probably your player is causing the problem. Alex, thank you very much for both listening and giving the links, indeed updating the firmware did the trick. Curiosity: why was it your guess that -q 4 should be sufficient? That is, what do you base your choosing of compression on? |
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May 11 2011, 04:10
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#28
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Group: Members Posts: 1 Joined: 11-May 11 Member No.: 90522 |
Saratoga is a jerk. I think this is (or was, back when everyone was more on the original topic
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May 11 2011, 04:20
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#29
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Group: Members Posts: 2270 Joined: 19-May 08 Member No.: 53637 |
You joined just to post that? Looking forward to when you actually contribute something.
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May 11 2011, 08:45
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#30
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![]() Group: Members Posts: 1303 Joined: 14-September 05 From: Helsinki, Finland Member No.: 24472 |
Anyway, thanks for bumping this. I didn't notice the OP's question that was directed to me earlier.
Alex, thank you very much for both listening and giving the links, indeed updating the firmware did the trick. Curiosity: why was it your guess that -q 4 should be sufficient? That is, what do you base your choosing of compression on? My guess regarding -q 4 is based on my general experience of Vorbis (especially aoTuV which tends to be better than the reference version at low bitrates). Except for some rare problem samples, -q 4 is often transparent or at least not annoying in a critical ABX test. Even when the encoded material is not exactly transparent -q 4 rarely produces ugly artifacts that would be instantly noticeable without direct comparison to the lossless source file. Already in Sebastian Mares' first public listening test from the year 2005, the then current aoTuV version at -q 4.25 got an average score of 4.73 and didn't fall below 4.5 with any of the tested samples (on the scale from 1 to 5, in which 5 is imperceptible and 4 perceptible but not annoying). In my experience, even a lower q setting is usually fine for casual listening. I wouldn't hesitate encoding at -q 3 for a portable if the storage capacity is limited. EDIT I don't mean that an even lower -q setting like -q 2 or -q 1 could not be sufficient as well, but probably I would hesitate a bit and do some listening tests before encoding lots of files. This post has been edited by Alex B: May 11 2011, 09:21 -------------------- http://listening-tests.freetzi.com
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Lo-Fi Version | Time is now: 20th May 2013 - 23:32 |