How do you reliably ABX equipment that needs to be disconnected, and how can TOS #8 be satisfied in such situations? |
![]() ![]() |
How do you reliably ABX equipment that needs to be disconnected, and how can TOS #8 be satisfied in such situations? |
Feb 6 2011, 14:06
Post
#26
|
|
![]() Group: Members Posts: 3212 Joined: 29-October 08 From: USA, 48236 Member No.: 61311 |
Thats probably fine from a blindness perspective, however unless the differences are quite large I think the long time it'll take to switch samples will make it impossible for you to detect a difference. So your test will be blind, but also probably give you a negative result A valid concern. Switch-over times significantly in excess of 1 second cut listener sensitivity to actual differences in tests we've done to find out the effects of switchover delays. QUOTE If one cannot remember the audible impression from sound gadget #1 over a time-span of 5 minutes well enough to reliably compare it to sound gadget #2, what does that say about the benefit I would get in my home stereo if I bought one instead of the other? After all, if I purchase a new amplifier, I do not expect to rapidly switch back and forth between it and the older one for the products lifetime. This is a critical point. Very few people are able to achieve switchover times that are signfiicantly less than 5 seconds. But, a 5 second or longer switch over delay pretty well destroys listener sensitivity to small differences. We built hardware switching equipment that reduced switchover dealys to less than a quarter of a second and this boosted our sensitivity to small differences that were actually audible. The technique is described in Clark's JAES paper, and I can asnwer questions about it because I developed it over a period of several years. The bottom line is that most golden ear A/B tests are inherently *not sensitive* to small differences, should they actually exist, because of their lengthy switchover times. |
|
|
|
![]() ![]() |
|
Lo-Fi Version | Time is now: 19th May 2013 - 11:03 |