Well, I didn't read the whole article, mainly because it starts off
with some serious misconceptions, (at least, in my view).
QUOTE
Multichannel music is the future. The two-channel reproduction that we have enjoyed for the past four decades is but the first step from monophonic (single-source) sound to true stereophonic reproduction. I intend to preach that to Stereophile readers who believe it and to convert the obstinate objectors.
Stereo—from the Greek word stereos (solid)—implies three dimensions, not two channels, and applies equally well to multichannel sound. But stereo has long been encumbered with the common meaning of "two-channel sound." In this column, I will accept that definition of stereo, and will use MCH for "multichannel" stereo.
The premise being, that everyone listens to their stereo in an anechoic chamber. Any room that I produce a stereo signal into, will have its own rear reflections. If I try to add, artificially, the rear reflections, I'm now adding the natural rear reflections from my source speakers, plus the "front" reflections from my "rear-reflectors" from my front wall. Quite a mouthful, but I think anyone in this forum understands what I mean.
The concept of the multi-channel sound system starts to get quite messy in the environment of our "living rooms". Standing waves not withstanding . . . no pun intended!
To drop back and possibly over-simplify this dilemma, I've always been able to recreate a reasonable sound stage using only two good speakers. "Good" being the operative word here.
Dang . . . now I'm starting to sound like an "audiophile" again.
Oh well, I think everyone gets my drift.
Dex