QUOTE(feces1223 @ Jul 2 2003 - 12:46 AM)
This is semi-related. How come people say that most of the time --alt-preset standard sounds same as extreme. and they also say that there are a few exceptions. well in what case would it sound bad? please be specific guys!
Lame --alt-preset standard always aims to be completely transparent (same goes for mppenc --standard --xlevel) for music under all normal listening conditions (all loudnesses, speakers or headphones etc).
This means that if it messes up and an artifact gets through on a killer sample, it doesn't know it's producing an artifact and wouldn't know where to use any extra bits to fix it. The artifact reveals a subtle fault in the decoder's psychoacoustic model (or in the case of MP3, it might be a limitation of the MP3 format that can't be worked around).
Let me stress again that Lame --alt-preset standard has very, very, very few artifacts.
Dibrom says he also made --alt-preset extreme because he recognised that many users persisted in modifying the command line of --alt-preset standard with various unsafe switches (like disabling lowpass filter and switching from joint to normal stereo or using the buggy -q0 "quality" setting) that actually caused quality problems. They nearly always made it worse and used more bits. Many of the users psychologically wanted to use a few extra bits as a "margin of safety" to feel sure they'd got the best quality, but actually broke things in the process and made quality worse. So extreme includes a slightly higher lowpass filter setting and a sets the masking threshold slightly lower, so more bits are used to quantize more accurately and average bitrates come out in the mid-to-high 200's of kbps. People have the psychological feeling of safety but haven't used bad switches that actually make their sound worse. However, it's usually the placebo effect at work, along with the Pavlovian association that more bits means higher quality, and the perceived difference disappears under blind testing of the actual sound quality.
Try -alt-preset extreme on the killer samples previously described and try to ABX it against the original. If there's a problem with standard, it's the psychoacoustic model at fault or a limitation of MP3 format. Sometimes extreme will make the artifact very slightly quieter than standard, but it's nearly always still audible. It doesn't fix it because it just throws the extra bits at the whole spectrum, not specifically at the artifact (because it doesn't think it has left an artifact), so only a few of the extra bits happen to reduce the audible problem.
Given the vast amount of extra bits wasted on encoding inaudible stuff, it barely seems worthwhile to use extreme for such a subtle reduction of such rare artifacts.
--alt-preset insane is the best that MP3 can do and throws as many bits at the audio as possible, so it will sometimes fix artifacts of the psychoacoustic model by brute force. If you actually notice artifacts in a particular track with APS, perhaps you could re-encode just that track in API. It's far more likely to succeed than extreme, but it's still only rarely going to be an improvement over APS.
Finally, if you have an artifact that Insane can't fix but need to play it on a portable, you'll find that many portables support .MP2 or MPEG-I layer 2 (which isn't older and more outdated than MP3, it's just less complex to encode/decode). It has better time resolution (same as Musepack) so it can fix some pre-echo problems. However, few of the psychoacoustic models for MP2 are well tuned and there's no VBR mode included in the standard. You might need to rename the files to .mp3 if they aren't recognised by the player. mp2enc and toolame are available to encode (see Rarewares section) and so too are some other encoders. MP2 is useful for high quality encoding at 192, 224, 256, 320, 384 kbps (only CBR is fully supported).
However, most of us won't notice artifacts with --alt-preset standard. I'm personally far more annoyed by MP3's lack of gapless playback (also true of AAC/MP4 and MP2) and its limited ReplayGain support, and that's half the reason I use Musepack (standard, --xlevel) as my main format. (Better transparency, faster encoding and lower bitrates are also bonuses of Musepack). I still have a number of APS albums I haven't re-encoded to Musepack, where gapless playback isn't important and they sound great.