QUOTE(glauber @ Nov 21 2003, 10:02 AM)
I'm new to this forum, but i've been reading the posts here with interest. There are situations where you have to generate a low fidelity version of a track (e.g. for someone who's going to dowload it over a modem). I read in one of the FAQs that Fraunhoffer's encoder is better than LAME on the low bitrates, is this still true?
Nevertheless, i don't have Fraunhoffer. If i have to use LAME to encode a small file, this is what i've been doing (with 3.92): --alt-preset 40 -h -m m
Does this sound like a good setting? Or can you recommend me something better?
I know this thread died four months ago, but thought
glauber wouldn't mind another suggestion. I encode to MP3, primarily for platform portability, and use LAME APS as a matter course.
For lower quality encodes I've settled on LAME 3.90.3 VBR 8-96kbps, resampled at 22050Hz, mono. I am not tring to emulate ABR. I'm giving the encoder free reign between two extreme limits so that more complex music/voice will lean one way, and less complex music/voice will lean the other way. I get mean bitrates from 40kbps to 56kbps, which amounts to about 500 tracks of music per 700MB CD. I use this mode for 'hold music', emailing sample tracks, background music at outside venues, and mono audio books.
I know the stories about the Fraunhoffer derived encoders being better tuned than LAME at other than 44.1kHz, and when maintaining stereo. I've tried several codecs and encoders down at the lower end of the quality spectrum, and I found that LAME does quite well when resampling at 22050Hz, but not so well at 16kHz or 24kHz.
There will of course be several folk out there who will balk at this suggestion, but how many of them have actually tried it?