Hurricane Cindy ~ Liz Phair ~ whitechocolatespaceegg demos (1998)
I just received my copies of Liz Phair's much-sought-after
Complete Girlysounds Recordings and her
whitechocolatespaceegg demos (long 44-track version). Hearing the music she recorded in her bedroom (on
Girlysounds) prior to signing with the indie label
Matador is a real treat for a Phair-fan.
On the first demo, it's nothing but a cheap four-track recorder, a guitar and her voice. The sound quality is pretty crappy, not so much (I think) from her recording method, but more sounding like the demo tapes rode around in her car's floorboard for a few months, then was re-recorded many times before making it to the CDs I received. EAC's spectral analyzer says there's nothing above ~8000Hz (though no hard cuts indicating lossy transcoding), flanging and smearing are prevalent, and channel drops aren't uncommon...sounds a lot like evidence of old, abused, worn-out cassette tapes (...I've owned a few). Also, there are at least two tracks where I can hear a TV and maybe some conversation going on in another room while she recorded.
But hey, my own demo tape sounded even worse (sound quality-wise)! Musically, though, I can tell why she was signed and why her first album was such a critical success. She of course has influences (Patti Smith, The Pretenders, The Jesus and Mary Chain), but she also blazed her own trail musically, and
no one can say she's not forthright in her lyrics. These recordings ain't for the kiddies, or for anyone faint-hearted or easily-offended. It's almost like they were created as porn-on-audiotape.