From;
http://www.frozensolidaudio.com/Freezing%20Issue.htm
"The speaker cables arrived first. Max [Townshend] delivered them in person (together with a car-full of Seismic Sink products, of which more on another occasion) so that we could listen to the differences together. Townshend cables already use annealed copper because Max had found that it sounds better: DCT is, in effect, a super annealing process, and it was quickly apparent that the cable with the cryo-copper sounded better still. I've now done the comparison many times, and the difference continues to astound me. The DCT cable has greater resolution and a notably airier, more natural sound - to such an extent that, having heard it for himself, Max returned home and immediately arranged for a first batch of copper to go to Frozen Solid for treatment. Cryo versions of his cables will be available by the time you read this.
Because DCT has the effect of reducing copper's resistance somewhat, it was important to check that the audible differences could not be explained away by small changes in frequency response at the loudspeaker terminals. To test for this I used MLSSA to measure the difference when using the two cables. You can see the outcome in Fig 1. MLSSA gives a rather noisy plot at this resolution (I could have used smoothing to disguise it) but even so it is clear that the disparity in frequency response is comfortably within +/ - 0.01dB across the entire audible frequency range - much too small a difference to account for the significant change in sound quality.
If anything the interconnect cables, when they arrived a little later proved even greater a revelation than the speaker cables. Max had identified them as A, B and C, and only when I told him that I vastly preferred pair C over the other two did he confirm that this was indeed the cryogenically treated set. Once again, the sound of the treated cables was characterized by manifestly superior transparency. Music was dynamic in a way that simply eluded the other two cables (one annealed, the other not) - more finely etched and yet more weighty and punchy too.
Delighted as I am with the outcome of this experiment (although I don't imagine for one moment it will change the minds of those who regard cables sonics as a figment of others' imaginations) I have now to concede, rather like Scott trudging forlornly up to the South Pole that someone got there before me. While the copper was with Frozen Solid being treated, I stumbled across a Pearl advert in a 1993 issue of Glass Audio that mentioned cryogenic treatment of vacuum tubes.
Some web searching soon revealed that Ed Meitner was the man behind this; that he had performed similar experiments to mine with cables, and a great deal else besides, a decade and more ago; and that he'd actually sold cryogenically treated cables for a while under the Museatex brand. For some obscure reason this all passed me by at the time, despite a fair few column inches being devoted to the subject in magazines like. Stereophile [GET THEE HENCE!].
I tracked Ed down to his company EMM Labs in Calgary Canada and spoke to him on the telephone about his many experiments with DCT and why his pioneering work has slowly slipped from view. You can read what he told me in the accompanying panel. I must say even after that conversation, I remain puzzled. Having heard for myself the astonishing effect of cryogenically treating the copper in speaker and interconnect cables, I can't imagine how this process and its benefits could fade into obscurity. As Ed Meitner himself says, it can't be due to cost because - in the context of high-end gear, at any rate - it is swamped by all those digits in the price tag. Although Meitner still uses cryogenic treatment himself, for everyone else in the audio industry it appears to have been a case of NIH (not invented here) or maybe IDU (I don't understand). Perhaps things will be different this second time around. And before you ask, yes - I will be striving to find some way of quantifying the sonic difference DCT so obviously makes.
Ed Meitner of EMM Labs
INTERVIEW
Here Ed Meitner of EMM Labs talks about his pioneering work with cryogenic treatment.
'We know what copper looks like under heavy magnification - it has a very erratic lattice structure, and we know that this comes from the way it is made. Most materials come from a liquid and are shocked, more or less, into a solid. So the lattice structure of the material isn't in its natural state. What this does is produce stress, residual stress.
'If you treat the material at low temperatures, where the strength of the atomic bonds starts to diminish it reverts to the natural crystal structure. So this process relieves the residual stress. It is a function of temperature and time. The absolute temperature doesn't matter very much, but if you only go down to, say, -200ºF it may take several weeks. If we take it down to liquid nitrogen temperatures then it happens much faster. Our treatment time for copper was 12 hours on the way down, 12 hours soak, and 12 hours back. You don't want to go too fast: then you put thermal stresses into the material and break it."
WHy have I posted this?
Firstly, Mr. Howard claims to have easily discerned the 'frozen' interconnects - to have blind-tested them.
Secondly, I think de-stressed or 'relaxed' conductors sound like a good idea. I've always treated cables (especially headphone cords, which obviously get handled a lot)) carefully, for this reason
bring it on.
R.
edit; Moved to 'hardware'? I guess that's reasonable.
