Isn't all music merely a distorted deviation from the natural, entropic state of white noise?
In days of yore, audiences unfamiliar howled protest at sounds created by Vivaldi and, much later, Stravinsky and Bartok. Don't forget guitar smashing by The Who and what Jimi Hendrix did to distort guitar output.
I also recall hot debate

here about accurately encoding the static at the start of Autechre's "Second Bad Vilbel." If somebody finds new ways of creating distortion, be sure to send them to Richard James and Sean Booth!
{Addendum]
I use "Bike Pump Meets Bucket" in my test comparisons of encoders and have noticed that the most recent Japanese Ogg builds do not inflate bit rate as much as the official Xiph. Another case I know of when too much effort is devoted to encoding undesired noise is in one CD of Mo' Horizons which obviously was copied from some very gritty vinyl.