The few problem samples for wavpack & dualstream are more like 'anti-music' - rare isolated single sounds. It is hard to find killer samples so I wouldn't try or concentrate too much on that. I test solo instruments, flute, bagpipes, voices, violins , pulsating electronic , any stuff with 'space' - these are the more critical samples.
Pretty much anything that would be on CD's that you buy should be transparent by 350k. At 250k these tonal samples frequently contain added hiss, usually subltle and not annoying but its there in abx mode with volume pumped up. By 300~350k the hiss either 'dissolves' in the music or is so subtle that its hard to even abx.
Wavpack has noise shaping and mid-side stereo enabled by default. This can reduce hiss, but the noise shaping can degrade other samples as its not adaptive (Bryant has some auto-NS solution in a future release). Joint stereo can give slightly better quality, but it can also degrade quality samples with limited channel correlation. Using -x enables smart joint stereo. The -j switch forces a given stereo mode. -s0 can turn off noise shaping (do not mess with other values). Using -h increases quality and also encode / decode time, but I would highly recommend it and its still pretty fast.
Some examples:
-hb320x
-b320x
-j0s0320 (my custom line)
http://wavpack.com/wavpack_doc.htmlThe other encoder you should seriously look at is Dualstream. It is has a vbr quality mode, no joint stereo. You should be hitting transparency at slightly lower bitrates than wavpack - around quality 2. The is an auto noise shaping option with --ans that can correct problems, but in some situations it can also worsen some samples, but its still better than the current wavpack implementation. You can also use a speed hack without affecting quality at all:
--encode --mode fast --optimize none --quality x.xx
http://losslessaudio.org/DualStream.php