QUOTE
Originally posted by Daffy
I don't understand this clearly. Can you re-explain in newbie terms.
Already done :
The use of offsets@EAC
It's the most relevant link, but you're free to read those ones too :
Offsets are arbitrary :
http://groups.yahoo.com/group/eac/message/6593 @EAC mailing list.
Mathematical war between Pio2001 and Matthias trying to figure out ofsets without external reference :
How to figure out your offset @EAC
How to "read" your read offset with noisy CDs :
How to find a reference offset Article
QUOTE
Originally posted by Daffy
So you recommend we use a 0 in the read sample offset correction field in EAC?
Not really, because offset correction or not, it won't change much. I would rather recommand not to care at all.
For people accurate enough to be interested in offsets, I recommand using an accurate wav editor. I know Cool Edit, and Samplitude. I know SoundForge 4.5 isn't accurate (no vertical overzooming) but maybe SF5 is. Don't know about Wavelab.
Avoid GoldWave, Feurio, and Nero : no vertical zoom.
EAC could work, but using some tricks with the "automatic range selection" : the vertical zoom depends on the size of the wav displayed in the Window. Very unpratical, but free.
Then you can check if your wavs are properly edited. The first must begin with silence, and the start of the track must not be sudden, a little fade-in of several samples at least is needed to avoid an audible click.
This is very nit picking, but there are some CDs that begin before track 1 ! In that case, they must be corrected.
Examples, Black - Wonderful Life, and Mike Oldfield, Discovery are in this case. The track 1 starts in the pregap, and the beginning is clearly missing when the CD is played.
AmGod - Half Rotten and Decayed is a CD mastered with a huge write offset. All tracks begin before the track marker. Drive offset correction is nonsense on this CD, it's like calculating the distance between two towns to within one millimeter, while you don't even know if you're measuring from center to center or subburb to subburb, by road or by air.
For the end of last track, there is just to check that it ends with enough silence (after a tiny fade-out, like the first track begining). I recommend adding 2 seconds of digital silence at the end if there is none, it will allow about 150 generations of lossless copies without offset correction, granted the average combined offset is one sector, before the last data of the last track begins to be lost.
All these adjustments relates to offset correction in some way, and turns automatic offset correction useless.
QUOTE
Originally posted by Daffy
Also PIO2001, what burning software do you recommended for copying audio CDs? I value your opion. Thanks.
EAC for ripping.
For burning, well... I don't know.
All can do a perfect job since Nero 5.5.7.8. It's a matter of interface.
I liked EasyCD Creator 4, but the version I have doesn't support my burner. There was write errors sometimes (one or two different samples), but now I'll never know if it was EasyCd's fault or my old burner's fault.
I hate Nero because it inserts gaps between your wavs, and there is no way to default the pause to zero. You get a coaster each time you forget to cancel the gaps.
I can't recommend EAC because of the Lead-out issue, though maybe it's not important.
WinOnCD is discontinued.
Feurio is without doubt the best, according to what I've read. I never burned with it because the interface is too heavy.
Personally, I use Nero and EAC. I can't decide between the gap and the lead-out things.
To make compilations, I use Samplitude Producer pro, but it's not in the same price range. It's a top of the art editing, mixing and mastering program, about 1000 €.
I can but rally the general opinion about Feurio being the best. For newbies I would have recommended WinOnCD, or EasyCd creator if I had tested the last one (I had the 4) and checked that it didn't introduce write errors.