I don't know how ABXing is done. I'm a user, and I care about what I hear, and not what I see on some charts. So, as I said, those samples I provided show very well the difference between VBR aproaches of old Lame and new Lame. If you can't hear the big difference even with your headphones on, then what's the point of ABXing?
Perhaps guruboolez is right about my complain being all about "ringing issue occuring with low volume content". Because when I normalize that sample and encode it again with Lame 3.97 VBR 5 - the ringing is gone. Dynamic music is full of low volume content and therefore any Lame settings, that distort the sound pretty bad, I count useless. And that's VBR quality levels 5-9. The tip about using ABR instead of VBR helped. ABR treats audio differently and ringing is not produced. I'd say the quality of 3.97 ABR 128 beats the quality of 3.90 VBR 6 a bit on my sample.
And again about the distortion I hear. I got Yamaha monitor headphones RH-5Ma. The distortion happens to hiss (I meant hiss, saying "high frequencies"). If you listen to FLAC, the hiss is heard in the background throughout the whole track. But if you listen to Lame 3.97 VBR 5, the hiss appears at the very start, and when piano starts, the hiss turns to ringing right away. That doesn't happen to 3.90 VBR 6 and
3.97 ABR 128.
Igor, my destination are regular computers, I don't aim for hardware players, but I know, that XviD + Lame VBR (ABR) in AVI play well on some hardware players I tried (like those Xoro players popular in Russia).