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It's definitely not the speakers because it happens with 2 different Amp & Speaker Combos. 1 Technics SU-A707 with Electrovoice speakers, and 1 Yamaha AX-396 with B&W DM303 speakers. It also happens with my Sennheiser HD25SP headphones.
In that case, may I suggest you play your WAVE file @ 48kHz.. and take account of it when calculating the maximum frequency you can hear ?
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BTW - I think with the Audigy (1) you should resample to 16/48 because a 24/96 source is also resampled (down to 16/48) and loses some high frequency response, or so I read somewhere the other day.
The Audigy 2 fixes this.
IMO, no matter what the Audigy1 natively handles (48kHz or 96kHz), there should be no drawback (quality-wise) with feeding it a 96kHz (instead of 48kHz) signal.
That is, assuming that the signal:
- was originally upsampled from 44.1kHz
- is not filtered during the process of conversion to 48kHz (=the conversion simply drops half the samples).
However, I'm a bit worried about the following:
Are you really sure the Audigy1 is 48kHz ? I mean, I can understand marketing
cheats about the SNR (because of say, 24-bit mixing, and maybe dithering to 16 bits by H/W) but really, what about the sampling rate ? why should they handle only 48kHz when they have 96kHz DAC's ?
From the Soundblaster web site (http://www.soundblaster.com/products/audigy2/compare.asp)Sound Blaster Quality: "Sound Blaster 24-bit ADVANCED HD. 24-bit/96khz" (obviously the software-side, marketing point of view)
Audio quality/bit Depth: "16-bit/48kHz" (really? is this the actual limit ?...)
DACs: 24-bit/96kHz (then.. what's the point of this ?)
This is very confusing !
Just to clear up the confusion, has someone actually
measured if, when playing a 96kHz WAVE file with say, a 30kHz tone in it, something is actually happening in the analog output(s) ?
It would then be very easy to see whether the cutoff is @ 24kHz or 48kHz, wouldn't it ?
I can understand the point in using a 24-bit DAC (that would guarantee accuracy when mixing several 16-bit audio streams) - but WHY would they use 96kHz DAC's, if the digital source cannot be 96kHz in the first place ? Maybe it's 48kHz with 2x oversampling (right before the output D/A converters) ?