did some googling:
http://rc55.grooblehonk.co.uk/users/mgan/mpc.html-----
copy & paste ->
--nmt x
[x can be: 0 to 99; recommended: 6 to 16]
sets minimum smr (signal to mask ratio) for pure noisy sound. mpc encoder calculates a masking threshold. noisy sound has high masking ratio. subband coder like mpc works by adding noise (quantization error) to each subband. you can increase the quantization resolution (less quantization noise, higher bitrate) by raising smr.
this noise should be of course below the masking threshold, so that it would be inaudible. sometimes quantization noise however is not inaudible, because tonality estimation (which calculates the tonality and "noisiness" of sound) may conclude that a noisy sound is more noisier than it really is. this will mean that the masking threshold will be higher than it should be. encoder concludes that more noise can be masked than really can, and this will result audible noise (distortion). this happens because quantization resolution (bitrate) is lower than it should be in order for the noise to be inaudible. but, you can compensate this by raising smr for pure noisy sound (nmt). it will increase the quantization resolution for noisy sound.
--tmn x
[x can be: 0 to 99; recommended: 22 to 32]
sets minimum smr for pure sinusoidal sound. sinusoidal sound is very tonal (not noisy). this means that it does not have much masking capability. quantization resolution (bitrate) must be high enough so that tonal sound is encoded without audible noise. of course in normal music there is both noisy and tonal sound, so the masking threshold will be calculated accordingly. also different resolutions of quantization can be assigned to the different frequency regions.
----
I don't use these...