QUOTE (Lyx @ Sep 24 2008, 21:32)

Umm, sorry, but i fail to see how transcoding the crossfaded part reliable is possible. When transcoding normal files which have seamless trackchanges, pops can easily appear, which is why its never a good idea to transcode tracks with seamless trackchanges, especially in the case of MP3. Wouldn't the same problem appear if one wanted to transcode a section of a track?
You can transcode anything, but as Apesbrain points out, you lose a little quality each time you do so. The splicing is the tricky part, and there are two areas of difficulty. One is the bit reservoir, where frame y can refer back to frame x for part of its encoded stream of bytes (i.e. some of frame y's bytes are actually in frame x,

). We solve this problem by repacking the frames around the splice.
The other problem is that the output of both the MP3 encoder and decoder is influenced by the last one or two input frames, not just the current one. We solve this one by giving the encoder and decoder a bit of a 'run up'. To get the splice exactly right, we also have to allow for a 48 sample delay (plus a couple of silent 'preamble' frames) introduced by the LAME encoder. I know it all sounds a bit dubious but it does seem to work.
Well, if anyone is still awake out there, now you know, and perhaps the complexity of the process might explain why software that does this is hard to find. But you might find you can use a fader + a stitcher and get decent results. I'm not sure what tools there are out there but there must be something.