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Topic: Article: Why We Need Audiophiles (Read 499224 times) previous topic - next topic
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Article: Why We Need Audiophiles

Reply #800
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So what? I've always thought that in a free market, the onus was on the consumer to make informed choices, or not. Don't people have a right to sell or purchase the products they want to? Without resorting to any audio issues whatsoever, since there's going to be a segment of the population that will spend money on expensive audio gear, won't there always be companies supplying that demand? Making it sound like people are being forced to buy this stuff, is factual incorrect.

Furthermore, clearly if people are happy with their gear, what's the problem with that? As well, audio isn't the only endeavor that relies on subjective opinions in order to promote products. Isn't it unreasonable to expect only audio companies, and their promoters, to be completely "objective" and without bias?


Economies of scale factor into this free market. So it's folks on a budget like me who want something both high-end and low-cost (relative to $350,000) who end up having to research and pay a lot more than they ought to because of the spread of all this airy misinformation.

Article: Why We Need Audiophiles

Reply #801
Not everyone has discovered HA, and there are many more websites (and magazines) where the information is overwhelmingly of the oposite kind.

So what? Is it really the companies who are to blame for the current situation?

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The average person may not have the time or intellect to determine which of the conflicting views to accept. THAT is the limited resource that I am referring to.

If people choose to limit themselves, then don't they have that right? Look, the information is clearly available, isn't it? If people choose not to do due diligence, what is the problem?
Quis custodiet ipsos custodes?  ;~)

Article: Why We Need Audiophiles

Reply #802
Or to put it more bluntly, if it was medicine rather than audio, the practice would be illegal (in most parts of the developed world!).

Sigh ... this is simply not true, in fact right now, there are many 'medications' that have questionable medicinal value; for example, kids cough syrup. In fact, there is an entire world of alternative, unproven, holistic 'legal' remedies in the health fields of all the countries of the first world.


I like your comparison of the high end audio scene with holistic medicine. A lot of it like most of the cable stuff, simply does no good and does no harm except distract people from effective solutions.

In some cases, taking holistic medicine is not that far from religious groups who refuse effective medical treatments. When real harm is probable, courts will take over. But, bad sound has not killed that many people. ;-)

However, some of the stuff the high end  push as being better simply sounds bad or at best substandard - it is like a wine conoisseur's magazine pushing cheap even spoiled wine in expensive bottles at sky-high prices. It's legal, but...

I've wondered for decades about how long the high end scene would survive given all their flaws. The expected decline is finally happening to some degree.

Article: Why We Need Audiophiles

Reply #803
Not everyone has discovered HA, and there are many more websites (and magazines) where the information is overwhelmingly of the oposite kind.

So what? Is it really the companies who are to blame for the current situation?

There are plenty of companies that make excellent audio equipment at reasonable prices. There are also companies that make and sell products that are way overpriced. I don't have a problem with either of these.

The problem that I have is with companies and apparently neutral reviewers who feed off of people's fears and gullibility, getting the victims to pay exhorbitant prices for products that do little or nothing for audio quality.

The FTC sometimes forces a company to remove advertising claims that they cannot substantiate. But have you ever heard of them protecting consumers of audio equipment from false claims? I haven't.

Article: Why We Need Audiophiles

Reply #804
Economies of scale factor into this free market. So it's folks on a budget like me who want something both high-end and low-cost (relative to $350,000) who end up having to research and pay a lot more than they ought to because of the spread of all this airy misinformation.

This is probably the very first time in any audio-themed prose I've seen the adjective "airy" used in a proper way.

Article: Why We Need Audiophiles

Reply #805
The FTC sometimes forces a company to remove advertising claims that they cannot substantiate. But have you ever heard of them protecting consumers of audio equipment from false claims? I haven't.

The problem with pseudoscience in this regard is that it pretty much by definition makes the vaguest claims possible. It's hard if not impossible to prosecute someone who didn't manage to align your chakras just as advertised, isn't it?

Article: Why We Need Audiophiles

Reply #806
Not everyone has discovered HA, and there are many more websites (and magazines) where the information is overwhelmingly of the oposite kind.

So what? Is it really the companies who are to blame for the current situation?

There are plenty of companies that make excellent audio equipment at reasonable prices. There are also companies that make and sell products that are way overpriced. I don't have a problem with either of these.


Agreed.

Is this thread on HA about envy over Fremer getting space on Gizmodo when HA doesn't?

What would it take to for HA to get its 15 minutes of fame on sites like Gizmdo, and does the HA community even want it?

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The problem that I have is with companies and apparently neutral reviewers who feed off of people's fears and gullibility, getting the victims to pay exhorbitant prices for products that do little or nothing for audio quality.

The FTC sometimes forces a company to remove advertising claims that they cannot substantiate. But have you ever heard of them protecting consumers of audio equipment from false claims? I haven't.


Check this out - its been the law for maybe 40 years:

http://www.ftc.gov/opa/2000/12/amprule.shtm

Article: Why We Need Audiophiles

Reply #807
Check this out - its been the law for maybe 40 years:

http://www.ftc.gov/opa/2000/12/amprule.shtm

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exempt advertising disseminated through the media from disclosure of total rated harmonic distortion and the associated power bandwidth and impedance ratings when a power output claim is made; and

Does this really mean that when you advertise an output power rating, you no longer have to specify at what level of total harmonic distortion? I'm shocked. 

Article: Why We Need Audiophiles

Reply #808
Check this out - its been the law for maybe 40 years:

http://www.ftc.gov/opa/2000/12/amprule.shtm

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exempt advertising disseminated through the media from disclosure of total rated harmonic distortion and the associated power bandwidth and impedance ratings when a power output claim is made; and

Does this really mean that when you advertise an output power rating, you no longer have to specify at what level of total harmonic distortion? I'm shocked. 


That's what it says, and its pretty scary. 10% THD, here we come.

Let's hope that manufacturers don't turn FTC power into PMPO power.

Article: Why We Need Audiophiles

Reply #809
I like your comparison of the high end audio scene with holistic medicine. A lot of it like most of the cable stuff, simply does no good and does no harm except distract people from effective solutions.

First off, it wasn't my analogy, and secondly, aren't you just conveniently ignoring the holistic practices that may actually be beneficial, but simply haven't yet been validated by medical science? Remember the movie, "Lorenzo's Oil"?

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In some cases, taking holistic medicine is not that far from religious groups who refuse effective medical treatments. When real harm is probable, courts will take over. But, bad sound has not killed that many people. ;-)

Again I feel as if you're going to extremes. Actually, in most cases, belief in holistic medicine is far, far removed from the types of beliefs that motivate a few extremely fundamental religious groups. In truth, no one has ever been injured by choosing  to purchase some high end audio gear. The concept, like some arguments, is just silly.

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However, some of the stuff the high end  push as being better simply sounds bad or at best substandard - it is like a wine conoisseur's magazine pushing cheap even spoiled wine in expensive bottles at sky-high prices. It's legal, but...

So what? Isn't a connoisseur someone who would be able to spot a cheap wine in an expensive bottle? Indeed, isn't it just a straw-man argument to compare the dishonest practices of the wine industry to all those who produce expensive audio gear?

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I've wondered for decades about how long the high end scene would survive given all their flaws. The expected decline is finally happening to some degree.

Don't worry, personally, I'd bet you'll be able to wonder for the rest of your life. Clearly the high end of audio isn't going to just disappear, no matter what your dreams are. By the way, do you have any proof that sales of expensive audio gear are declining?
Quis custodiet ipsos custodes?  ;~)

Article: Why We Need Audiophiles

Reply #810
Insofar as JA's article deliberately avoided the whole issue of observed audibility of lossy encoding artifacts, and that (as I pointed out) a modern codec shows similar numerical issues, I'm not sure how important the Audition/Fraunhofer thing is in the context of the article itself.
As I said, the premise behind the article was not to use the very best examples of the breed but to show typical results.

Today, the "typical" MP3 is the best of the breed. I know of few retailers and even fewer individuals using low quality encoders (as I would define "low quality"). Yes, many users out there are still using FhG's encoders in whatever front-end they happen to be relying on, but the more recent versions of FhG are not what I would define as low quality.

The analogy [is]...close enough.

As krab has explained, no, it most certainly isn't.

Article: Why We Need Audiophiles

Reply #811
I think that us ABXers and skeptics are also arguing fallaciously when we decry all high end audio as placebo, ...

Me neither - all I'm saying is that the "it's all placebo" argument is extremely easy to dismiss.

The Placebo Effect is brought up in a number of different places in this thread. Personally, I always wonder, is this effect as bad, or as serious, as it's being held up to be? If some individuals feel better spending money in order to believe they are hearing better, is this really a bad, or avoidable, thing? Isn't it simply true that some people will always require equipment to be expensive before they can be satisfied?
Quis custodiet ipsos custodes?  ;~)

Article: Why We Need Audiophiles

Reply #812
It's only becomes "bad" when they start making objective quality claims about their equipment, which is 99.999% of the time.
elevatorladylevitateme

Article: Why We Need Audiophiles

Reply #813
Or to put it more bluntly, if it was medicine rather than audio, the practice would be illegal (in most parts of the developed world!).
Sigh ... this is simply not true, in fact right now, there are many 'medications' that have questionable medicinal value; for example, kids cough syrup. In fact, there is an entire world of alternative, unproven, holistic 'legal' remedies in the health fields of all the countries of the first world.
It's legal to sell them, but in the UK at least it's illegal to make unsubstantiated medical claims for them.

So they make unsubstantiated non-medical claims, or things that sound like claims, but aren't.


The Advertising Standards Agency in the UK has intervened on audio matters before - they've banned an advert claiming 64kbps HE-AAC was "CD quality", partly based on evidence gathered within this very forum.

Cheers,
David.


Article: Why We Need Audiophiles

Reply #814
Don't worry, personally, I'd bet you'll be able to wonder for the rest of your life. Clearly the high end of audio isn't going to just disappear, no matter what your dreams are. By the way, do you have any proof that sales of expensive audio gear are declining?
Judging from the equipment hat is still in existence, it seems that almost every professional person bought a good hi-fi in the 1960s.

That practice is now dead. The world has moved on. People buy big TVs and nasty surround sound systems instead, plus PCs, iPods, mobile phones etc etc - new pass times that take time and money away from "hi-fi".

Cheers,
David.

Article: Why We Need Audiophiles

Reply #815
I like your comparison of the high end audio scene with holistic medicine. A lot of it like most of the cable stuff, simply does no good and does no harm except distract people from effective solutions.


First off, it wasn't my analogy,


Right, I should have said "the analogy" not "your analogy". My apologies.

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In some cases, taking holistic medicine is not that far from religious groups who refuse effective medical treatments. When real harm is probable, courts will take over. But, bad sound has not killed that many people. ;-)


Again I feel as if you're going to extremes.


I can't do a little hyperbole in paragraphs that end with a winking smiley? ;-)


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In truth, no one has ever been injured by choosing  to purchase some high end audio gear. The concept, like some arguments, is just silly.


In effect, I said that. I said: "But, bad sound has not killed that many people.;-)"


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Isn't a connoisseur someone who would be able to spot a cheap wine in an expensive bottle?


Not all of the people who read connoisseur magazines are full-fledged connoisseurs.  You are of course aware of the fact that non-connoisseurs buy magazines for connoisseurs to learn how to be one?

Besides, isn't there something strange with a magazine for connoisseurs that suggests that their readers  buy bad wine because it is good?

One difference between wine magazines and  the high end magazines is that a lot of what the high enders recommend is placebos, so people who follow their advice don't necessarily get bad sound, they just get mislead in a way that they may not ever detect.

One of the ironies is that HA tends to operate more like a good wine magazine than the high enders. We try to teach people how to test audio products in effective ways. Some of the listening tests that the high end magazines have inherent flaws along the lines of actually making everything sound the same, while convincing themselves and other people  that they sound different.

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Indeed, isn't it just a straw-man argument to compare the dishonest practices of the wine industry to all those who produce expensive audio gear?


Speaking of straw men, where did I say that anybody was dishonest?

And, where did I say that all of the high end audio industry agrees with the high enders that we've been talking about?

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I've wondered for decades about how long the high end scene would survive given all their flaws. The expected decline is finally happening to some degree.

Don't worry, personally, I'd bet you'll be able to wonder for the rest of your life. Clearly the high end of audio isn't going to just disappear, no matter what your dreams are.


Again, you're arguing with yourself. You are arguing extinction, while I was talking about decline.

Again, you've made a straw man argument based on what seems to be speculative thinking. How do you  know that I want the high end industry to disappear? Actually, I want the high end to reform because I think there is still big market for truely high quality sound.

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By the way, do you have any proof that sales of expensive audio gear are declining?


Here we go again. I never said that I had proof that sales of expensive audio gear are declining. What I said is that I see evidence of a decline.  Now, I've got a question for you, can you see the difference between those two statements?





Article: Why We Need Audiophiles

Reply #816
The Placebo Effect is brought up in a number of different places in this thread. Personally, I always wonder, is this effect as bad, or as serious, as it's being held up to be? If some individuals feel better spending money in order to believe they are hearing better, is this really a bad, or avoidable, thing? Isn't it simply true that some people will always require equipment to be expensive before they can be satisfied?

Not in my case. 
A year ago i would have sworn up and down that i could hear the difference between lossless and a well encoded mp3.  I could hear the difference.  The mp3 was flat and lifeless.  I was leaning towards going all lossless, and would have struggled to find a portable to deal with my music collection. 

In my search i found hydrogen audio and its no-bs policy of checking your expectation bias at the door.  I did the appropriate abx tests on codec quality levels and found lame vbr -v5 was transparent to me.  Now i can happily carry a cd-quality (to me) copy of my entire collection around with me in a player that didn't require outrageous disk space.

I'd argue that the current hi-end culture will cause you to spend extra money where it's not needed, limiting your budget for things that will directly affect your music pleasure.  Sure things like build quality and aesthetics affect your pleasure as well, but with placebo and expectation bias removed, you can spend an appropriate amount of money on those things, rather than chasing pristine sound quality by spending thousands on things that are sonically no better than a well made budget rig.

Article: Why We Need Audiophiles

Reply #817
Here we go again. I never said that I had proof that sales of expensive audio gear are declining. What I said is that I see evidence of a decline.  Now, I've got a question for you, can you see the difference between those two statements?

No, not really. So, I'll ask again, what "evidence" do you have of a decline? It seems to me that there's more high end audio being manufactured now than ever before. Of course, that's just my opinion.
Quis custodiet ipsos custodes?  ;~)

Article: Why We Need Audiophiles

Reply #818
I think that us ABXers and skeptics are also arguing fallaciously when we decry all high end audio as placebo, ...

Me neither - all I'm saying is that the "it's all placebo" argument is extremely easy to dismiss.

The Placebo Effect is brought up in a number of different places in this thread. Personally, I always wonder, is this effect as bad, or as serious, as it's being held up to be? If some individuals feel better spending money in order to believe they are hearing better, is this really a bad, or avoidable, thing? Isn't it simply true that some people will always require equipment to be expensive before they can be satisfied?


You've only listed only 2 of a far longer list of problems.

The placebo-related problem that bothers me the most is all the R&D time that has been wasted chasing placebo audio.

For example, consider what Meridian could do if they weren't wasting so much effort on placebo audio?

An even stronger argument might relate to Martin Colloms. By many accounts, he can do genuinely wonderful audio engineering if you keep his nose out of the flooby dust.

And no, not *all* high end audio is about placebos. There are some high end loudspeakers that have performance that is commensurate with their price.

Article: Why We Need Audiophiles

Reply #819
Here we go again. I never said that I had proof that sales of expensive audio gear are declining. What I said is that I see evidence of a decline.  Now, I've got a question for you, can you see the difference between those two statements?

No, not really. So, I'll ask again, what "evidence" do you have of a decline?


Besides the fact that high end audio stores have all but disappeared from my area, I've heard two sucessive generations of scary reports from the high end exhibitors areas of CES.

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It seems to me that there's more high end manufactures now than ever before. of course, that's just my opinion.


These days all it takes to have presence as a high end manufacturer is enough money to put up a web page. ;-)

Article: Why We Need Audiophiles

Reply #820
The Advertising Standards Agency in the UK has intervened on audio matters before - they've banned an advert claiming 64kbps HE-AAC was "CD quality", partly based on evidence gathered within this very forum.

Cheers,
David.


I think that was very cool.

http://www.digitalradiotech.co.uk/articles...-CD-Quality.php

Clicking on the broken picture link leads to Roberto's first test:

http://www.rjamorim.com/test/64test/results.html


Article: Why We Need Audiophiles

Reply #821
Besides the fact that high end audio stores have all but disappeared from my area, I've heard two sucessive generations of scary reports from the high end exhibitors areas of CES.

So your only evidence is a personal observation about stores in your area and some marketing gossip at trade shows? I'm sorry but personally, I'm not convinced. 

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These days all it takes to have presence as a high end manufacturer is enough money to put up a web page. ;-)

... and produce a product. Sorry, but my opinion concerning there being an increasing number of high end audio equipment producers still stands.
Quis custodiet ipsos custodes?  ;~)

 

Article: Why We Need Audiophiles

Reply #822
Is this thread on HA about envy over Fremer getting space on Gizmodo when HA doesn't?

No, my own intention, as the original poster, was to see if there was an explanation for the experience of the author of the article. After all, here's a guy who seemed to experience an effect that doesn't really exist? Now, I'm in no way making the claim that that Fremer's system actually sounds better, however, the author certainly seemed to experience just that. Was this only the placebo effect, or self-deception based on visual cues? Personally, I think that the philosophies concerning digital integrity, double blind testing and psycho-acoustic modeling are quite correct. However, I still believe that there is an audible difference between inexpensive consumer grade systems and audiophile, or professional, systems. It is this personal belief that I was questioning.

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What would it take to for HA to get its 15 minutes of fame on sites like Gizmdo, and does the HA community even want it?

Personally, I spend far more time, and effort, here at HA, then I ever will at Gizmodo. IMHO, Hydrogenaudio doesn't need fame, it has integrity, which is far more important.

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The problem that I have is with companies and apparently neutral reviewers who feed off of people's fears and gullibility, getting the victims to pay exhorbitant prices for products that do little or nothing for audio quality.

Isn't getting people to purchase products at exorbitant prices, a reviewers job? In fact, isn't it scientists whose job it is to be neutral? Personally, I'm just glad that all those people are working!

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The FTC sometimes forces a company to remove advertising claims that they cannot substantiate. But have you ever heard of them protecting consumers of audio equipment from false claims? I haven't.

Perhaps more advocates and consumers should complain to the FTC? Actually, I'm surprised I haven't seen many, many more dubious audio equipment claims debunked at HA.
Quis custodiet ipsos custodes?  ;~)

Article: Why We Need Audiophiles

Reply #823
After all, here's a guy who seemed to experience an effect that doesn't really exist? Now, I'm in no way making the claim that that Fremer's system actually sounds better, however, the author certainly seemed to experience just that. Was this only the placebo effect, or self-deception based on visual cues?


Why are you leaving out the most plausible explanation? A volume mismatch has a much larger effect than placebo and visual cues. Neither did the article state that they did level matching nor is Fremer the kind of person to expect that much objectivity from.

Article: Why We Need Audiophiles

Reply #824
I thought that part was obvious: in a comparison between vinyl and iPod, all kinds of things could be wrong with the version on the iPod: loudness war / badly remastered CD, lousy lossy encoding / transcoding, inappropriate EQ applied to the recording (or maybe iPod output), file with dubious provenance downloaded for free etc etc

Or maybe the iPod file was fine, but the LP had even better mastering? (There's plenty of that - it's why I own a turntable).

Or maybe (you're going to kill me for this) the vinyl version just sounded nicer?

It does happen you know. Some things just sound subjectively nicer with a bit of messing up. Noise. Distortion. Lovely.

(am I banned yet?  )

Cheers,
David.